Why Fucking with the Internet Can Be Like Feeding Your Genitals to a Hay Baler

So, earlier today as I was cruising around on several blogs I like reading, I wandered to Nick Mamatas’ livejournal. His post on Copyright Follies tells the story of a writer named Monica who had one of her recipes stolen by a regional magazine in western Massachusetts called COOK’S SOURCE. When Monica emailed the managing editor J. R. Griggs, she received a response that read as follows:

“Yes Monica, I have been doing this for 3 decades, having been an editor at The Voice, Housitonic Home and Connecticut Woman Magazine. I do know about copyright laws. It was “my bad” indeed, and, as the magazine is put together in long sessions, tired eyes and minds somethings forget to do these things. But honestly Monica, the web is considered “public domain” and you should be happy we just didn’t “lift” your whole article and put someone else’s name on it! It happens a lot, clearly more than you are aware of, especially on college campuses, and the workplace. If you took offence and are unhappy, I am sorry, but you as a professional should know that the article we used written by you was in very bad need of editing, and is much better now than was originally. Now it will work well for your portfolio. For that reason, I have a bit of a difficult time with your requests for monetary gain, albeit for such a fine (and very wealthy!) institution. We put some time into rewrites, you should compensate me! I never charge young writers for advice or rewriting poorly written pieces, and have many who write for me… ALWAYS for free!”

Obviously, this editor is a complete and total moron about copyright law and infringement. So, Monica, curious as to where she could turn for help in dealing with this, contacted Nick who then posted it on his livejournal, which is read by a great many folks, myself included.

I hate hearing about crap like this. Writing is tough enough as it is without outright acknowledged thievery going on. We work hard for our money and do our best to improve our craft. Hearing about Monica’s trial with this magazine led many of us – actually a WHOLE LOT of us – to repost, Tweet, and then assault Cook’s Source’s Facebook Page, call the editor (who has her voicemail on). I then spent some time calling various advertisers to let them know what was happening. Other people have retweeted this thing all over the world. And Cook’s Source is reaping a wild shitstorm for their complete and total douchebaggery in this instance.

And all Monica wanted was an apology and a measly $130 donation to Columbia.

I’m sure that there will be a lawyer looking into this, and most monetary damages for this sort of thing usually net about $20,000. That’s costly for a small mag like this.

But wait – now comes word that Cook’s Source may also have lifted stuff from The Food Network, of all places?

Yep, this is a perfect illustration of why you don’t get all smarmy when it comes to dicking people over. The power of the Internet is real and lasting. I’ll be surprised if Griggs has a job and if the magazine lives after this debacle.

But that’s justice for ya!

The Strategy of Chaos

A few quick questions to start this post:

If you were a big organization looking to maintain control, which would you prefer: a cohesive, well-run, well-integrated company, or a fragmented, mismanaged environment rife with ego-battling?

If you were a shadowy conspiracy type, do you think the powers that be would have an easier time controlling and manipulating the populace if they pitted multiple factions of the bitter, angry folks against each other or if the people were living in harmony with one another?

If you were a boxer, do you think it would be easier relying solely on a one-punch knockout, or would you rather use a series of combinations to set up your opponent for an eventual knockout shot?

In each of the above situations, the element of inducing chaos is one of the strategies that might be employed. Chaos, by its definition, is great disorder or confusion. And perhaps more than ever before, inducing chaos is a strategy being relied upon by anyone looking to control or manipulate something or someone.

The martial art of ninjutsu, which I’ve had the great fortune to study now for over twenty years, is a system of espionage and intelligence gathering as much as it is about actual physical fighting. In some respects, the importance of espionage and intelligence gathering is even more important, because if through objective observation one can determine the scenarios which might unfold, then a physical confrontation may never even be necessary. And it’s always nice to win a fight without having to fight.

The lessons within ninjutsu are both common sense and profound, but only if one sees the lessons being presented. Within the Bujinkan organization, the grandmaster Masaaki Hatsumi, is the ultimate spymaster. He knows what makes every person who walks into his dojo tick. And he often gives them exactly what they’re looking for. Back when the rest of the world was just beginning to learn about ninjutsu, Hatsumi-sensei’s organization was a small, type-knit group of core practitioners. These men were his original circle of trusted students and friends. But when “The Ninja Boom” of the 1980s happened, Hatsumi-sensei was faced with a great task: how to manage an organization that exponentially exploded almost overnight? Was it best controlled through a series of stringent guidelines that produced a cohesive student body governed by an established hierarchy?

Maybe.

After all, there are rules for “participation in the Bujinkan,” that spell out what is expected of the practitioner, his or her ethics, morals, etc. (And there is some degree of hierarchy, but it’s frankly rather silly. Westerners with a tenth of the time training in the art are promoted to obscenely high ranks and then attach titles like “shihan” to their names in an effort to make themselves look better than they actually are.)

But Hatsumi-sensei uses a better technique for controlling his organization: chaos.

How does he do it? Pretty easily, actually. His understanding of human nature is so refined that he knows what a little bit of disinformation will do if placed in the appropriate ear. All it takes is a few insecure individuals puppy-dog eager to consider themselves as close confidants of the grandmaster and you have all the messengers you need. Hatsumi-sensei then plants a small seed of suspicion, or an opinion, or some other statement. Then he sits back and watches it work.

Perhaps he says something like, “Teacher X doesn’t visit me that much in Japan anymore.” It’s a pretty innocuous statement. But when placed into the ear of an insecure person, it becomes much more than that. That recipient then starts spreading this nugget around. “Well, I heard Hatsumi-sensei say that he’s concerned that Teacher X doesn’t visit him in Japan anymore.” And knowing how gossip grows and spreads, the rest is history. Before you know it, the internet is abuzz with people declaring that Teacher X is no longer part of the Bujinkan or some other equally silly notion.

Consider this: if Hatsumi-sensei knows he’s got someone nearby who happens to be among the most vocal of gossipers, he might just wait until they’re getting ready to leave the dojo. Hatsumi-sensei will then ask for their help “removing some of the highest ranks name plackets from the rank board.” The student dutifully does this for Hatsumi-sensei and then leaves, already texting that he saw Hatsumi remove Teacher Y’s name stick from the board. Of course, Hatsumi-sensei may just have been dusting the board, or he may have removed it at Teacher Y’s behest. Or he may have done it to further induce chaos into his organization.

Perhaps Hatsumi-sensei has a particularly annoying visitor always hanging around his office. This guy just doesn’t know how to take a hint that Hatsumi-sensei would like some alone time. So, rather than simply telling this guy to take off, Hatsumi-sensei uses it as yet another way to control his organization. So he shows this clown some of the scrolls from one of the schools we study from and says something like, “This is the only way this kata was done.” Now the clown goes around telling practitioners that Hatsumi-sensei told him the kata was only done this particular way. Further, this clown now states that anyone training with him should only be training with him because he alone knows the true correct way to practice the art. (Of course, you’d have to be pretty stupid and naive to actually believe this, since this is a combat art and there is no ONE way to properly apply this art in the midst of combat. You do what works and what gets you home safely – if you’re bitching about whether your rear hand is properly positioned to approximate the Gyokko-ryu, you’re probably already dead – and mercifully so.)

So now, the grandmaster of ninjutsu has an organization that functions exactly the way he wants it to. There are rival factions, massive egos belied by even more massive insecurity, and rampant silliness that produces a mockery not seen before in the martial arts world. The vast majority of students fall for this manipulation because they forget what the nature of the art is. And this is perhaps the biggest lesson of all: Hatsumi-sensei isn’t doing this maliciously, per se, (although he is most certainly interested in keeping things under control) but he’s offering students of ninjutsu a tremendous opportunity to learn how they might ensure they aren’t manipulated by others in this fashion. And how to include this technique in their own arsenal.

Of course, you’ve got to be able to see it and most of these people never will. Which is fine. And even though some of the people this article speaks of will read this, they will just as quickly shake their heads and discount it. Because if they acknowledge the theory that this might be true, then the foundation of lies they’ve built their shaky house of fantasy on comes toppling down and what they’re left with will be a truth too brutal to bear.

But what if you don’t practice ninjutsu? Does this concept hold true elsewhere?

Let’s look at the political world. We’re less than one week away from midterm elections and the airwaves are filled with more attack ads then ever before.

Ignore your own political leanings for a moment and consider this: when President Obama was swept into the presidency, there was a real groundswell of optimism brewing in a significant chunk of the population. Those who voted for him were enraptured, to some extent, by his promises of a brighter future, change, and prosperity. He had the charisma, the ideas, and the oratory skills to make his case for occupying the highest office in the land. And he won.

If you agree with the idea that the real power in this world isn’t held by politicians at all – but by various consortia, corporations, dynastic types, the ghost of Elvis, whatever – then can you imagine what they must have felt seeing that emerging sense of unity and optimism? I’d wager they saw a significant amount of their control slipping away. After all, a unified people are much harder to control, much harder to sway. So what to do?

The Tea Party.

Independents.

No longer do we have a political landscape dominated by two parties (some might argue this, but both parties have been endangered by the emergence of these new players). The Republicans and the Democrats now have other things to worry about from both a new third party wanna-be and disgruntled members of both parties going Independent. An undercurrent of fear – which the previous administration used so adeptly to finagle nefarious legislation through Congress – percolated until it was ready. Now we have a nation that is being subjected to the most divisive extremist thought being espoused by candidates in decades. We have long-time incumbents being accused of ethical violations. We have a voter body so exhausted by the continuous mud-slinging that many of them don’t know who to vote for, just so long as the advertisements and robo-calls stop. And nowhere in this election cycle do we have candidates actually fielding solid plans for making things better. Every one of them is engaged in countering attacks, redirecting attacks, ducking the mud, and just trying to not look as bad as the other guy long enough for Tuesday to get here.

And you know what? That hope and optimism that endangered the control of this country is now gone. It’s been replaced by fear and division.

Chaos.

Those in control know that the vast majority of people won’t take the time to actually get the truth about things. They know that a whispered snippet of suspicion, that a sound bite that hits a primal fear, or that just the right look of contempt, are all the majority have time for. “President Obama is a Muslim.” “Christine O’Donnell is a witch.” “Sarah Palin is an idiot.” “Nancy Pelosi cohabitates with a transvestite koala bear named Zippy Garlin.” So that’s exactly what they give us. They don’t want one party in command because that’s simply too dangerous. They want a divided union; one easier to sway and manipulate and bend to their own actual agendas.

For the boxer who relies on the single knockout, it can be a dangerous road to victory. He’s got to bob and weave and jab and position himself just so perfectly in order to unleash that one single juggernaut shot that will end the fight. While some have the skill to make it look easy, it’s anything but.

Most boxers work combinations. And for good reason. A series of shots to various parts of the body overloads the nervous system, inducing chaos within the opponent. As the opponent’s nervous system struggles to catalog and address all the impulses flooding it (registering the hit, the pain it causes, the physiological reaction to the shot, etc. etc.) the boxer sees other openings – other targets to attack. And the tidal wave crashes down on the opponent again and again until a knockout is achieved or the fight is stopped. The boxer divides the body of the opponent; he breaks up the harmony that his opponent has trained so hard to achieve; and he uses that to ultimately control the opponent with a KO.

The inducement of chaos is brilliant strategy for controlling and manipulating situations and it’s literally all around us. What makes it so hard to defend against is our own human nature.

In the case of the ninja grandmaster, he knows that people want to feel like he’s confiding in them, that they are “special” or that they need to be “protectors of the lineage.” The truth is the lineage doesn’t need them; it’s been around for a thousand years and will be long after they’re gone.

In the case of politics, those really in control understand that most people are easily swayed by that which requires the least effort on their part to understand. The truth is they don’t care how we vote, provided no one party/ideal/attitude has too much sway. A divided union is an easily controlled one.

In the case of the boxer, he knows that a string of hits is going to be harder to defend than a single KO shot. The truth is if he can overload his opponent, then the KO shot will come naturally.

Using chaos to control a situation, a body of people, or even a nation is a pretty fascinating concept and by studying it, it allows us to objectively understand how others might be trying to employ it on us. Then we can take steps to make sure we don’t fall prey to its incredible power.

Thanks for reading!

Evolution of a Martial Art

When I started training in martial arts several decades back, the styles I studied were very two-dimensional. In other words, they were written down – sometimes with photos or illustrations – but there was nothing alive about them. They were a cataloged series of techniques/kata/movements that existed for me much the same way they had existed since the art began many years ago. It was passed down, ostensibly by teacher to student who would progress to become a teacher with his own students, pretty much as it had been for generations previously. Even today, there are certain koryu bujutsu enthusiasts who believe that techniques must be preserved and passed on exactly as they were for hundreds of years. They are exacting – to the point of being incredibly anal retentive – about what they do. But most of them are also honest: they don’t pretend to be able to use their art in combat. For them, it’s more of a recreation, much the same as those who dress up in military uniforms from the Civil War to reenact battles would be.

For a combat martial art like Ninjutsu, however, this approach is wrong; it robs the art of its life. There’s no sense of vitality to it. Combat cannot be reduced to two-dimensional snippets. It is an ever-changing, ever-evolving situation and the art needs to be that way as well.

As a beginning student, we walk into a new school filled with wonder, apprehension, and the proverbial empty cup. As years pass, we grow comfortable with the tradition, its mechanics, and the training partners we sometimes come to call friends. Eventually, our own evolution in the art produces a certain degree of skill within us and we may be inclined to become teachers. Sometimes, this happens when the student is ready to take on the mantle of teaching and the incredible responsibility that position entails.

The best teachers are those who continue to view themselves as students, always looking to add to their pool of knowledge and experience. They are forever looking further down their own path to the information they can incorporate into their own evolution. They study constantly, subjecting the techniques to the constant fire of real life, for it is only in this crucible that true experiences worthy of being handed down to a new generation of students are gathered. This is the legacy of this martial art. It is the reason why the art continues to evolve instead of being confined to the two-dimensional status of other arts.

But sometimes, becoming a teacher happens much, much sooner than it should. The reasons can be many: rabid insecurity and a lack of success in other areas of life may cause one to seek the position, a student may be graded at a higher rank as a test by their teacher to see if they allow their ego to trip them up, a desire for fame, status, or money, the need to be seen as some type of expert, etc. etc. etc.

Inevitably, what happens to those who should not teach – but do – is that they end up killing the art they may once have loved. They stop learning; they stop evolving. Worse, their inability to pass on even basic fundamentals to students can end up causing those students to get hurt or potentially die because of the teacher’s lack of experience. Those who teach but should not have a tendency to view themselves as masters of material that is far greater in depth and volume than most of us – truthfully, pretty much all of us – have the capacity to learn to the degree that we can pull it out and use it when we need to. There is simply too much to learn.

Yet the best teachers always try.

Those who teach but should not don’t try to learn this material as if they were still that beginning student filled with wonder. They try to assimilate the material only enough so they have something new to show their students. But they know deep down that they don’t understand it, so they explain that lack of ability away by casually lumping in this new information with the old. “This is just like that kata” or “this is just like that movement we did six years back.”

Only it’s not.

The best teachers don’t allow themselves to get trapped by the position of teaching. In other words, when it’s time to teach, they teach from their experience of working with the material they have learned and tried to master as students; they teach having used this stuff in the real world, knowing the emotional flux that happens, the uncertainty of facing a real threat, and the confidence they have gained from emerging safely on the other side of the conflict. But when they’re done teaching, they go back to being that student all over again. The cycle repeats. And as their experiences mount, their students are richer for it. This natural cycle becomes the basis of why this art continues to evolve.

Those who teach but should not, on the other hand, find themselves trapped by the status they sought so fervently. The need to always be seen as someone who is an expert, or the desire for others to gaze upon them with wonder, or the need to change their own personal history to try to be a part of something they never were, is fueled by insecurity and inability to stop the downward spiral they’re trapped on. The result is a further diminishing of skill in that would-be teacher, in the skills of those they would teach, and in the art itself. One only need go to Youtube and enter “Bujinkan” to see ready examples of why this art suffers from a tragically horrid reputation within the martial arts world. Too many people want/need/must be teachers without having the time, skill, or personal integrity to be one.

Those who teach, but should not, are forever scrambling to find new material to teach their students, lest they lose their students. As they scramble, the veil of ineptitude slips inevitably away, exposing the lack of skill. The students leave anyway.

But the best teachers have an inexhaustible supply of material to teach based on the fact they are always having new experiences from which to draw. As they evolve, so too do their students. So, too, does the art.

So while there exist far too many teachers who should not teach but do, there are also those who teach and should. For this amazing art, that is a good thing. It means the art will continue to live and evolve as it should, to always address the needs of the newest generation of warriors.

While those who teach but should not will inevitably end up blowing away like the very same two-dimension pages they draw their limited scope of knowledge from.

And the evolution continues.

Wuz Bin Goin’ On?

I figured I’d come up with a new way of saying “updates,” so the title above is my first stab at it…

Anyway, a few things to talk about. First, the 18th of January will be here before we know it and with it, the long-awaited release of THE KENSEI. So far, I’ve booked 3 signings in January (1 in Cambridge & 1 in Burlington, MA and one in Concord, NH). Expect more to come, although in the course of my conversations with the publicity person at St. Martin’s, signings don’t seem to be the draw they used to be. I find that extremely interesting, since the drive was always to schedule as many as possible. Having done that, however, and not always with fruitful results (the signing down on Cape Cod in 2003 was like watching tumbleweeds blow through the store since that was the day President Dumbass decided to invade Iraq for absolutely no good reason whatsoever, comes to mind…) I can’t say I’m too broken up about the change in things. But I’ll definitely schedule more, probably just not to the extent that I’d planned. Guess we’ll see how it goes.

I’ll be shooting some new author photos this weekend. St. Martin’s needs one for the back of the book. I’m always torn about this type of stuff. I don’t think my smile looks all that good since I have two very sharp and pointy canines that actually make me look like someone who takes the vampire thing WAY too seriously. They’ve always been there, so I normally end up grinning in some sort of fashion. Ah well we’ll see how it goes…

The website for THE FIXER television series and all things Lawson Vampire is coming along incredibly well. Nick, the same genius who created this website, is hard at work and we expect to debut it in another month or two, if not earlier. The snapshots I’ve seen of the work thus far are incredible. Expect a lot of interactivity and a lot of fun. And yes, the TV series is still moving ahead, albeit slowly. “These things take time” has never rung so true as it does when you are literally trying to bring something into being where it never existed before. And operating outside the Hollywood production system is a terrific challenge, but one we are meeting and defeating, I assure you.

My YA series, The Ninja Apprentice, is still circulating among prospective editors in NYC. We’ve had a few rejections from some smaller houses since the flavor of the series wasn’t right for them. We weren’t surprised by this, but figured it didn’t hurt to try them all. I have very high hopes for the series and think that the YA market will really dig it as well. Keep your fingers crossed.

Finally, my friend Ken Richardson is still trying to raise funds for his program to help at-risk kids avoid the lure of drugs and gun violence on urban streets. I’ve pledged to help him as much as I can by donating proceeds from my direct ebook sales to his cause. I’ve tweeted about this quite a bit, but frankly, the response has been pretty awful. The program is just starting up and so far, Ken has sunk a ton of his own money into it. I’d like to help him as much as I can, so if there are any of my ebooks that you don’t have yet, please drop me a line jonfmerz AT verizon DOT net and let me know what you’d like. Once you Paypal the money over, I’ll send you the ebook. A $50 donation gets you everything I currently offer on Amazon in the format of your choice. Otherwise, individual novels are $2.99, novellas are $1.99, and stories are $.99. The Fixer Files is $9.95. I really hop that most of you reading this (actually, I hope ALL of you reading this) will take a moment to help out a great cause. Ken grew up on the incredibly mean streets of Baltimore back when it was the murder capital of the US, and saw his brother gunned down. He’s resolved to do his best to keep other kids from suffering that same fate. Thank you for your support!

Helping a Friend…

A good friend of mine, Ken Richardson, has formed an organization devoted to helping kids resist the lure of drugs and violence. No Weapon Needed promotes the development of a sound body, mind, and spirit through martial arts, boxing, working out in the gym, and more to inner city youth on the North Shore of Massachusetts. The organization is just getting started, and it needs help to survive. I believe very strongly in Ken’s work and I’ve known him for a very long time. He’s got a great heart and the kids he helps are truly appreciative of all his time and effort.

Here’s Ken describing the mission statement of No Weapon Needed:

So, to that end, I’d like to help Ken as much as possible. I’m donating proceeds from the sales of my ebooks over the next week to No Weapon Needed and my goal is to raise at least $500 for his great work.

If you’re missing any of my various ebooks or stories, I hope you’ll consider purchasing them over the next few days. I’ll also make this special offer:

Donate $50 and you get every single one of my current ebooks & stories sent direct to you. That’s everything I’ve got available on Amazon right now (in the format of your choice) along with The Fixer Files and some other things kicking around. You can use Paypal to send the money direct to me at jonfmerz AT verizon DOT net and I’ll ship out the ebooks within the next 24 hours. Just be sure to specify the file format you’d like (.pdf, .azw (Kindle), text, or epub)

The Fixer Files are available again for this special cause: $9.95 through Paypal as well.

Otherwise, my novels are $2.99, novellas are $1.99, and stories are $.99 each. But I hope you’ll consider donating more to this worthy cause. Just Paypal the money to me direct at jonfmerz@verizon.net and let me know what you’d like.

You can find a complete listing of my work by visiting my website at http://www.jonfmerz.net/ or out on the Amazon Kindle store – just search for Jon F. Merz

Have a great day,
Jon