EBook Sales: 2012 Round-Up

By Jon F. Merz

This post is probably a little late by comparison to other yearly round-up posts, but so be it. I thought it would be interesting to run down some of my numbers from the year 2012, now that the year is officially in the books.

As I posted on facebook the other night, my ebook sales for 2012 were approximately 40,000. This number includes only my independently published work sold primarily across three platforms: Kindle, Nook, and Kobo. This figure does not take into account any traditional deals, other publishing projects I was a part of, etc.

So, let’s break it down a bit…

The Kindle remained the dominant sales platform for me by a nearly 4-to-1 margin. But my sales last year were actually not helped by the other Kindle global platforms, aside from the UK. I sell fairly decently on the UK Kindle site, but the US side outsells the UK by at least 5-to-1. I sell a few copies each month on the German Kindle site, and a scattered 1-10 copies across all others.

The Barnes & Noble Nook site is a consistent earner for me, but again, it pales in comparison to Kindle sales. That said, I like the Nook platform a lot because it’s very reliable. Whereas Amazon had several peaks and valleys over the course of the year for one reason or another, B&N stayed very consistent with marginal fluctuation – sometimes a hundred bucks extra sometimes a hundred bucks less – but always within a comfortable range.

Kobo became a new force to be reckoned with in the summer. But Kobo’s search engine leaves a lot to be desired. Trying to search for my own titles after they’ve gone live on Kobo is frustrating and they sometimes don’t show up for 24 hours in the search results, despite the title being live and on-sale. Kobo’s writer platform is one of the best, if not my favorite, for its ease of use and intuitive design. They get extremely high marks on trying to get things right and they’re incredibly responsive to feedback and criticism. My sales for the last five months of the year on Kobo have been “okay.” I’m not yet blown away by a rush on my titles and one of the reasons may be due to the fact that their search engine still needs fixing. That said, I have no doubt Kobo can become a huge force in ebook sales and look forward to putting more of my titles out on it.

My standout title for 2012 was, without a doubt, THE NINJA APPRENTICE. This is the book that my agent loved and wished he’d had come across his desk when he was in acquisitions. This is the book that also languished for eighteen months while morons in New York cast dispersions on it and said remarkably boneheaded things like “boys don’t read,” and “little commercial appeal.” This, as proven by the thousands of copies that I’ve sold since it debuted in May, is complete and total bullshit. To date, The Ninja Apprentice has sold over 10,000 copies and shows no signs of slowing down. It is consistently one of my bestsellers and was chosen for several summer reading lists last year. I’ll be releasing the second book in this series in mid-2013 and have high hopes for that one as well.

My Lawson Vampire series continues to be a major seller. With seven novels (including the traditionally-published book THE KENSEI), five novellas, and now nine short stories, the series is a consistent money-maker for me. Not everyone digs Lawson (I know, hard to believe, lol) but those who do have plenty of adventures to get lost in with more coming out all of the time. THE CRUCIBLE debuts next month and my freebie Christmas story I write for fans each year, THE SNITCH WHO STOLE CHRISTMAS was downloaded thousands of times – more than four times as much as last year’s story! Many of those who downloaded the story will be new readers and hopefully new fans who will get lost in more of Lawson’s adventures.

In 2012, I also had The Fixer translated into Spanish along with one short story, Interludio. So far, sales on the translations have not performed as I expected. This is one area I’ll be concentrating on in 2013 – publicizing the translation. I have a global audience and the need for translations of my work is growing. In 2013, I will be exploring bringing out other language editions of my Lawson series.

For 2013, my goals are to double my ebook sales to 80,000 sold. I’ll be bringing out a bunch of new stuff: new Lawson adventures, new Zombie Ryu installments, the next Ninja Apprentice novel, and a standalone thriller I’ve been working on. I’m also investing back into my business by setting up some serious analytics on my website and sales drives. I know next to nothing about analytics, so I’m bringing in a professional to set me up. She’s awesome and I’m looking forward to implementing her suggestions for maximizing my sales initiatives. My newsletter has been migrated over to a new email service provider, which gives me fantastic data reports. I’ve launched a new Birthday Club for my fans and will be unveiling some new stuff out here on the website.

2013 will also see a brand new project from me that I will not be revealing any details about just yet. It’s “related” to writing and will be of massive help (I hope) to both aspiring and veteran writers. Look for that a few months from now.

Overall, 2012 was a great year for EBook Sales. A lot of thinking right now says that ebook sales will slow. I think that’s hogwash. Any good writer will always sell if the book they write is good. And a savvy writer who gets invested in making his business the best it can be will sell much, much more. I intend to sell close to six-figures of ebook units in 2013 – if not more. Let’s see how it goes! And my best to all of you who are doing the same!

The Snitch Who Stole Christmas

By Jon F. Merz

THE SNITCH WHO STOLE CHRISTMAS

As you may know, each year I write a special Lawson Vampire Christmas story for my fans and give it away absolutely FREE here on my website. This is one of the ways I say thank you to all my awesome fans and friends for their support over the previous year. You guys are the best fans an author could hope for, so I like to give something back to you.

This year’s offering is THE SNITCH WHO STOLE CHRISTMAS and it runs around 8,200 words. This story takes place in 1999, a few years before the events that happen in the first published Lawson novel THE FIXER. You can download the story very easily by simply right-clicking or command-clicking the file links below and saving the file to your computer. Once you’ve saved it, you should be able to import the file to your e-reader of choice. I also have a .pdf file as well in case you prefer to print it out or read it on your desktop computer.

I’m very pleased to be able to offer this story to you all. If you enjoy it, please be sure to tell your friends to come and grab a copy for themselves as well. Last year, we had an amazing number of people download the story and I’m hoping to surpass that number this year. Since it’s free, folks have nothing to lose by downloading it. I hope you all enjoy it!

Merry Christmas, Happy Holidays, and thank you again for all your support during 2012.
-Jon

THE FREE DOWNLOAD IS NOW OVER. THANKS TO THE THOUSANDS OF PEOPLE WHO GRABBED A COPY! I HOPE YOU ENJOY IT!

Why It’s Important to Subscribe to My Newsletter

My newsletter is one of the most important things I have as an author. It lets me keep all my readers informed of my new work, writing, happenings, and all sorts of assorted goodness. There’s free fiction and more in each issue and I try to make it a bit more interesting with each installment. 2013 will see some cool changes as well with more added content every month. I always recommend that people subscribe and stay subscribed and this morning presented a perfect reason why.

Starting in January, Instagram says it now has the right to sell your photographs. Go read the article and nuke your Instagram account and then come back and we’ll continue.

Back? Okay, so Instagram is owned by Facebook. They bought Instagram for billions of dollars and now they have a very popular photography site that they are planning on turning into a serious revenue stream for themselves. I don’t use Instagram (I think I did once, but I nuked my account this morning just to be sure) but I do use Facebook. A LOT. I post tons of things out there to both my personal profile and my fan page. And my thinking is that if Facebook enacts a stupid policy change like they just did with Instagram, then what’s to stop them from doing the same at Facebook itself? While they’ve repeatedly said they won’t charge anyone to use Facebook, will they attempt to sell things that people post as a revenue maker? It’s possible. is it likely? I don’t know.

But I do know that if they ever did, my Facebook presence would disappear in a second. And that’s why I’m urging you all to subscribe to my free newsletter now so we have a redundant system of communication between us. Yes, you can find me on Facebook and stay up-to-date, but what if Facebook goes down or I stop posting there? By being a member of the coolest newsletter subscriber base on the planet (if I do say so rather immodestly) you’ll be sure that you always get the latest and greatest from me.

A new issue is dropping in a few days, so don’t wait. Subscribe right now by plopping your email address into the little box below. It’s quick, easy, and totally free. I will never sell your information to anyone. Ever. Period.


Don’t Compare Yourself to Other Writers

Over the last seven/eight days, I wrote just shy of 70,000 words. The schedule and word count per day broke down like this:

  • Monday: 10,000
  • Tuesday: 12,500
  • Wednesday: 12,500
  • Thursday: 7500
  • Friday: 7500
  • Saturday: 5000
  • Sunday: 5000
  • Monday: 8500

For me, this was a good haul. I’m in first draft mode, which (as some of you may remember) is what I affectionately call my “puke it out” phase. This is where I don’t give a crap about the quality of what I write; I just want the basic storyline down so I can then go back and rewrite, edit, tweak, ad infinitum until I’m satisfied with the quality of it. My method for writing during this phase looks pretty much like this:

  • Each chapter is roughly 2,000-2,500 words.
  • It takes me approximately one hour to write each chapter (sometimes less, sometimes more)
  • After each chapter, I take a nice break (Facebook, exercise, talk to friends, whatever)
  • Repeat

Depending on my pace and how fast the ideas are rolling, it’s possible that I will top out around 16,000 words each day – which is my personal best. More often, my comfortable daily range is 10,000-12,500 thereabouts. That’s comparable to the time a lot of people spend working each day in an office. By and large, this daily rate is unsustainable for much more than a week. And if I wrote like that each day, every day, I’d burn out in no time. But when everything is firing on all cylinders, yes, this is the rate I can churn out words at.

And you know what? Big deal.

Seriously. Big fucking deal.

Should you be impressed? I don’t know. I don’t much care. I don’t post word counts to brag or gloat. I post them because it’s a good day’s work FOR ME and I’m satisfied with what I accomplished. And therein lies the rub: as you progress as a writer, you will inevitably find a system that works for you. I discovered mine writing eleven installments of the Rogue Angel series for Harlequin’s Gold Eagle imprint. I had seriously short deadlines and as a result, found that I work very well doing first drafts in very little time. It’s intense and requires a lot of Twix candy bars and Pepsi, but it works for me quite well. So that’s how I write first drafts these days.

Last night I posted about sending off the first book in the Shadow Warrior series to my editor at Baen Books (while I’d been working on the first draft of this new novel, I’d also been editing Shadow Warrior.) and combined with the fact that I finished the first draft, I was enjoying basking in the afterglow of a job well done. A friend of mine reposted about me writing 70k words in 7 days on her status and that then opened up the floodgates of nonsense:

So here you’ve got a whole group of supposedly professional writers taking issue with what I’ve accomplished. Sarah Pinborough wins the award for “So Obvious, It’s Too Stupid To Post It But I Will Anyway” comment. Suw Charman-Anderson thinks that it takes some insane amount of pre-planning before anyone is capable of doing what I did. (In reality I worked from 3-page synopsis). Vincent Holland-Keen arrives on-scene to gladhand himself about how awesome he is for not writing as fast. Later on this same tosser brings up my character Jake Thunder (obviously without seeing the bit about Jake’s Native American past) and then claims he’s not judging, when in reality, he’s doing exactly that – equating hardboiled PI genre work as being lowbrow. Steve Mosby offers up his assessment that all I really did was “type” and later on agrees that my level of output is “misleading” because I might have spent months planning it out. Keith Walters offers up his assertion that he feels his quality is better when he writes 1500 words as opposed to anything more. Tom Wood trots out the belief that by me working so hard, I must have no time for anything else – he should probably take a gander at my biography and then spend a day with me doing everything I do (on second thought, he’d probably tap out before we even got to breakfast) prior to imagining me as some recluse without a life.

THANKFULLY, James Oswald shows up with a bit of reason.

The rest of that is pretty pathetic – a bunch of supposedly professional writers calling my work into question because they compared themselves to what I do. Had I posted a status update along these lines: “Yeah, just cranked 70,000 words in one week. What’s up other bitch writers? You guys suck for not being able to match my pace. Slackers. Doesn’t anyone have the power to go toe-to-toe with me?” then their little bitchfest would have been understandable.

But I don’t do that. I don’t compare myself to other writers. As far as I’m concerned, the only person I’m competing against is myself. Did I write this book better than the last? Did it take me longer to do so? Will this one sell better than the last book I wrote? Can I tell the story even better the next time? That’s what matters. Not what some other writer is doing. I don’t care what other writers do in the course of their work. If they’re bringing out one book a year – good for them. If they manage ten books a year – good for them. All I care about is what I do.

And all you should care about is what YOU do. When you write, there’s no one else involved. So why should it matter how other writers do their work?

It shouldn’t.

But writers tend, by and large, to have massive insecurities and massive egos. They like to think their way is the best and everyone else sucks anyway. This is why writers invent awards that no one has ever heard of, let alone cares about. This is why you get little bitchfests like the above. A lot of writers cut down other writers – and especially aspiring writers – because it makes them feel better about their place in the mud puddle. But none of that matters.

Time was, there used to be only so many books published each year, only so many editors, only so many contracts. Competition was tough. Nowadays, anyone can write and publish. Unfortunately, that makes the old “pros” mad. It upsets them that people didn’t have to slog it out in the trenches and accumulate tons of rejections. To most of these veteran writers, the new upstarts represent a direct threat to their livelihood.

That’s ridiculous, short-sighted, and frankly, stupid. But there you go.

When you make the decision to write, do it for yourself. Find your own path. Find what works for you. Don’t waste your time henpecking the techniques of other writers; they ain’t you. I can’t stand outlining, but I know writers who swear by it and it works for them. Awesome. I know writers who can churn out double the words I just did and do so consistently. Awesome. I know writers who can only manage 1,000 words each week. Awesome.

At the end of the day, what you accomplish is up to you – it’s not up to the whims of someone else. If you want to get something done, do it. Whining about quality or quantity or any of the other idiocy exhibited in the screencap above is wasted time.

Listen to your gut and do what works for you.

2012/2013 Publication Schedule (partial)

By Jon F. Merz

Since we’re heading into the end of the year, I thought I’d draw up a list of coming attractions of SOME of the stuff I’ll be publishing soon. So here ya go!

DECEMBER 2012

  • Zombie Ryu Episode 3
  • Untitled Lawson Christmas Story

JANUARY/FEBRUARY 2013

  • THE CRUCIBLE: A Lawson Vampire Novel
  • Zombie Ryu Episode 4

MARCH 2013

  • Zombie Ryu Episode 5

APRIL 2013

  • Zombie Ryu Episode 6

MAY 2013

  • THE NINJA APPRENTICE: The Tsuba of Kotogawa (book 2)
  • Zombie Ryu Episode 7

JUNE/JULY 2013

  • Lawson Novella
  • Zombie Ryu Episode 8

AUGUST 2013

  • Zombie Ryu Episode 9

SEPTEMBER 2013

  • Zombie Ryu Episode 10

OCTOBER 2013

  • Zombie Ryu Episode 11

NOVEMBER 2013

  • Zombie Ryu Episode 12 (season finale)

ALSO IN FALL 2013

SHADOW WARRIOR: Undead Hordes of Kan-Gul (this is book 1 in my new fantasy series from Baen Books)

There’s more than this, but this is enough to make my head explode (in a good way!) I hope you’re as excited as I am! And by the way, my awesome offer still stands for those of you who want to give my ebooks as gifts this holiday season. I strongly encourage you to take advantage of it since you get something as well. And please share this with your friends and family. There’s nothing like the gift of some adrenalized mayhem courtesy of your crazy author pal to make the holidays into a thing of beauty!