Why Barnes & Noble Just Made a Big Mistake…

So, the latest news in the publishing world is that Barnes & Noble will not stock Amazon-published titles in its stores. (Amazon recently signed a distribution agreement with Houghton Mifflin Harcourt’s new imprint for just this purpose.) Social media is all abuzz right now with the majority of publishing people stating something along the lines [...]

So, the latest news in the publishing world is that Barnes & Noble will not stock Amazon-published titles in its stores. (Amazon recently signed a distribution agreement with Houghton Mifflin Harcourt’s new imprint for just this purpose.) Social media is all abuzz right now with the majority of publishing people stating something along the lines of it’s great to see B&N standing up to the bullying ways of Amazon, and all the rest of the assorted statements about Amazon being the Big Bad Wolf, evil corporate empire, etc. etc. blah blah blah.

Me? I happen to think B&N just made a critical error. As admirable a job a William Lynch has done as the head of Barnes & Noble, he’s made a potentially disastrous mistake with this decision and here’s why:

He’s put Amazon on notice that B&N will not play with them in the sandbox.

There’s an old strategy that states you keep your friend close and your enemies closer. B&N would have done well to heed this advice – even if they simply faked it. Barnes & Noble is the only real major national retailer left after the Borders implosion. And indie booksellers only account for 10% of sales. Obviously, if Amazon is intent on market dominance, then that road takes them right through B&N. If B&N was truly interested in its survival – rather than appeasing the publishing world, which is itself a tired anachronism being dragged kicking and screaming into the 21st century – then they would have agreed to carry Amazon’s titles.

One reason B&N might have wanted to take this approach is to buy time while they strengthen their own shaky foundations. B&N had a strong fourth quarter, but overall, it pales in comparison to Amazon. B&N’s stock closed yesterday around $12 bucks with a market cap of $700 million. Some experts have recently valued the company at around $8 billion, but I think that’s being extremely kind.

Amazon, by comparison, has at least $6 billion in CASH. That’s not the valuation of the company and all its assets – that’s CASH. Jeff Bezos could easily stomp B&N into the ground and not lose a single night’s sleep over it.

So the question becomes: do you rush to war with such an incredibly powerful enemy as Amazon? Do you charge into battle knowing you have far less resources than your opponent?

Or do you bide your time, strengthen your own position, and search for other unorthodox ways to level the battlefield?

Barnes & Noble currently has something that Amazon does not: real estate. Even with the massive number of bookstores closing, B&N still has about 700 stores around the country. Amazon has no real retail presence. Perhaps they don’t want one, but what if they do? By agreeing to carry Amazon titles, B&N could then open up further talks with Amazon – what about a joint venture where the two companies partner and open up new retail fronts in the old Borders locations? Such a move would increase value for both companies, enabling B&N to better right its own ship during these turbulent economic times and potentially entice better buyout offers from interested parties. (Biding time would allow B&N to roll out that newer version of its Nook device that might help it capture more ebook market share than it currently has…)

If Amazon and B&N teamed up, they could then actually create real and lasting change in the publishing world. B&N has a very good relationship with the Big 6 publishers – again, something that Amazon does not have. B&N and Amazon could sit down with the publishers and suggest ways they could all benefit from making changes. This is a long-shot, of course. Knowing what a stubborn bunch the Big 6 are – and given the fact that they refuse to admit their own failings but instead seek to blame outside influences (like Amazon) for their faltering steps towards the future – it’s unlikely anything would come of that.

But instead, B&N has opted to draw a line in the sand.

“Hooray!” shout the masses of publishers and booksellers. “We’re not going to let Amazon bully us anymore!”

Except, they’ve all forgotten one thing: their customers.

Most customers don’t really care about this stuff. They know they can go to Amazon and get what they’re looking for at a cheap price and have it in-hand as quickly as tomorrow. Yes, there are bookstore aficionados – but the masses that make up the bottom line for B&N simply don’t care. And if B&N isn’t doing its best to service its customers, then what the hell are they doing in business in the first place?

Amazon has perfected customer service. My own experiences have never once been bad. When the UPS guy left my expensive hardcover out in the rain and I sent an email – I didn’t call, mind you, but sent an email – Amazon had the UPS driver return the next day with a brand new book and take back the old ruined one without it costing me a single penny. Amazon services its customers and treats them like gold. And that’s why customers love them.

So when B&N draws its line in the sand – they haven’t really done much except angered a juggernaut and told their customers they’re not interested in providing them with exceptional service.

That’s not smart.

Amazon now knows exactly where B&N stands and can take its next steps accordingly. Such steps might be drastic, or they might not. Either way, Amazon wins again. With $6 BILLION in CASH, Bezos can open up tons of retail storefronts and drive B&N right out of business.

Here’s the thing: ever since the Kindle appeared, the publishing world has only been reacting to Amazon’s moves. Not one publishing world entity has taken that initiative away from Amazon because all they can do is react and try to deal with it. In a fight, if you spend all your time reacting to your attacker, you will eventually (sometimes quicker than others) lose. At some point during the fight, you have absolutely got to take the initiative and win. Whether you do this by launching a sudden blitz counter-attack, or by setting a trap that your attacker falls into, or by some other technique, it doesn’t matter. What matters is you stop reacting and start doing something.

B&N’s move here might be seen by some as taking the initiative, but it’s not. It’s reaction. And the wrong reaction at that. As Amazon jabs and jabs and the publishing world tries to slip and bob and weave out of the way of each successive jab – thinking they’re doing great for avoiding those – they fail to see that Amazon – just as a good prize fighter does – is merely lulling them into a rhythm, ranging them, and getting ready to deliver a final knockout blow so severe that the publishing world won’t see it coming until it’s far too late. Bezos has already demonstrated his far-reaching view, putting things into motion now that will bear fruit in later years.

I have no doubt that Bezos knows exactly how to take down B&N now, thanks to the poor decision B&N has made in refusing to stock their titles.

 

EBooks ARE a Game Changer

It’s been exactly one year since I uploaded my Lawson Vampire backlist to Amazon and Barnes & Noble and started selling them as ebooks for the Kindle & Nook. Prior to doing so, the way I made money as a writer was as follows: 1. Come up with an idea that I was both excited [...]

It’s been exactly one year since I uploaded my Lawson Vampire backlist to Amazon and Barnes & Noble and started selling them as ebooks for the Kindle & Nook. Prior to doing so, the way I made money as a writer was as follows:

1. Come up with an idea that I was both excited about AND had tremendous marketing potential (in other words, one that would hopefully sell a gazillion copies)
2. Write up an exhaustive proposal package containing the idea, a synopsis of the first book, sample chapters, character breakdowns, marketing competition analysis, and a marketing plan.
3. Submit this to my agent, who would then submit the package to a number of editors.
4. Wait.
5. Wait.
6. Get rejections from most editors; maybe get an acceptance from another.
7. Wait.
8. Wait.
9. Get an offer. Usually this offer was in the low five-figures. Certainly, it was never enough to “live on” in the real world.
10. Wait.
11. Wait.
12. Eventually, a contract would arrive at my agent’s office. My agent would then go over the contract, argue certain clauses, get push-back, etc. etc.
13. Wait.
14. Wait.
15. Eventually, I would receive my advance check after it had first gone to my agent who took his 15%. An advance is just that: an advance against future royalties. Said royalties would normally be a low percentage of the retail price, ranging from 6% at the low end to 10% at the high end.
16. Wait for the book to be published – usually at least one year from the contract signing. In some case, up to two years.
17. The book goes on sale.
18. Wait.
19. Wait.
20. Traditional publishers give you an accounting of sales of your book twice each year. If your book sells well, it is at this point that you get “paid.”
21. Except that your pay, in this case, actually goes back to cover the cost of your advance. When you “earn out” that means you’ve made enough to cover the advance the publisher paid you. If you’ve sold well enough, you then earn royalties beyond that advance and get paid.
22. Except that publishers have this antiquated business model that allows the book sellers to pay them long after they get the books. So publishers have this nefarious little clause called “Reserves Against Returns,” which means they hold onto a sizable chunk of any money you’ve earned beyond your advance in order to cover the possibility that some of the books the bookstores “bought” might come back to the warehouse if the title doesn’t move.
23. Wait another six months and repeat #22.
24. Hopefully, somewhere down the road, you actually earn out and see royalties.
25. In the meantime, your agent is *hopefully* (and I say, hopefully because an awful lot seem to NOT pursue this very aggressively even though they should) selling subsidiary rights like audio, foreign translations, film/TV, etc. which earns you more money. But your agent undoubtedly has other clients vying for his attention, so your subsidiary rights get forgotten, unless you hustle your ass off and bring deals to them directly. And even though you were the one that went and got those deals, your agent still takes a nice cut.

While all this is going on, you are simultaneously writing new proposals and doing work-for-hire novels – possibly to the tune of writing eleven Rogue Angel novels like I did (if you live in the real world, that is, where you must make up the shortfall of that crummy advance by picking up other writing jobs to cover the household finances, make mortgage payments, etc.).

The old way had a lot of “hope” in it. As in, “I hope this sells,” “I hope they pay me better than last time, ” and “I hope this editor’s boss doesn’t have his head on speed dial with the bottom part of his alimentary canal.”

Enter the world of ebooks. According to publishing industry veteran Michael Cader, it’s premature to call ebooks “a game changer.”

Really.

Well, howzabout we just look at how much of a game changer they’ve been for me…

Since I uploaded my Lawson backlist late last January and then throughout the year introduced new Lawson adventures, a few standalone novels, some non-fiction, and a bunch of short stories, the way I earn a living has changed dramatically. Here’s how it works now:

1. Come up with an idea about something cool I’d like to write.
2. Write it.
3. Let my beta readers check it out, offer critiques, suggestions, etc.
4. Edit until I’m confident it reads well.
5. While 2-4 is happening, hire a cover artist to come up with a concept I like and one that I think will help sell the book.
6. Once finished editing, format the ebook.
7. Upload the ebook, set a price point.
8. Announce publication of book.
9. Sell the ebook on Amazon, Barnes & Noble, Smashwords, iBooks, Kobo, and any number of other places.
10. 60 days after the book goes on-sale, I start seeing the money from the sales.
11. In the meantime, the work I already have on-sale continues to earn me income. I get paid every single month, direct deposit to my checking account by Amazon US, Amazon UK, every other Amazon store internationally, and Barnes & Noble. Smashwords pays every six months (which is a ludicrous throwback to traditional publishing and one Smashwords absolutely needs to change if they hope to remain relevant).
12. As a result of getting paid every month, I can budget my household finances better, which means infinitely LESS stress.
13. As a result of less stress, my creative juices flow better and I come up with more cool ideas (ideas that I do NOT have to run past a whole committee of supposed “professionals” in New York who think they understand the tastes of the reading public) I then turn into books and put on sale earning me more money.
14. The more ebooks I have on-sale, the larger my virtual shelf space becomes, and the more I sell. As a result, my monthly income tends to go up – it’s like getting a raise every time I write something new.
15. As more people migrate to digital e-readers, my potential market share also increases. Coupled with my social media presence, I am always growing my fan base and therefore, selling more ebooks while still barely scratching the surface of the entire ebook-reading public.
16. Ebooks are forever. Whereas a traditionally published book MIGHT have a lifespan of six weeks on a bookstore shelf, my ebooks stay on their cyber shelves forever, meaning they earn money for me forever.
17. Since I bypass all the various middlemen that make up the world of traditional publishing, I get paid between 65-70% of the RETAIL royalty rate compared to the horrifyingly insulting 25% NET royalty rate offered by traditional publishers on ebooks. The result: me much happier.

Now, as I said, Michael Cader believes it’s still premature to call ebooks a game changer. But Michael Cader also works for an industry that is in serious trouble; his livelihood depends on keeping things the way they are, so of course he’s going to perpetrate such silliness.

Ebooks most definitely ARE a game changer for one simple reason: when the lifeblood of your industry (in this case, the content creators aka “writers”) figures out they can make more money, get paid on a consistent and steady schedule, do it all without jumping through stupid hoops like “acquisition meetings,” and bypass all the middlemen and go directly to the most important part of the equation – the readers themselves – then you have real change occurring.

Whether folks like Michael Cader accept it or not.

I’ve been writing since 1994; I’ve been a traditionally published author since 2002. In the ten years I tried to play the game by New York’s rules, I’ve seen so much ridiculousness, it amazes me the publishing industry has lasted as long as it has. Midlist writers (that is to say those who are not gifted with million-dollar advances and groomed for the supposed bestseller lists) are treated like indentured servants: crummy advances that New York insists are “livable,” crappy royalty rates, contract clauses that are meant to provide steady income for the publisher not the writer, and an accounting system woefully behind-the-times and deliberately complicated so as to render auditing it both costly and intimidating for the average writer.

In the year since I’ve been publishing as an indie, I’ve made more money than at any other point in my writing career. I’ve sold more books than at any other point in my writing career (over 20,000 copies of my Lawson adventures JUST on the Amazon US marketplace). And I’ve been able to engage and meet more fans than at any other point in my writing career. And I’m not even as succesful as other indie ebook authors – some of them are making thousands of dollars every single DAY.

Traditional publishing loves to claim that they do a ton of stuff for writers – hence the low pay and royalty rates.

It’s BS.

Unless you belong to that rarefied strata of bestselling author, traditional publishers aren’t doing much for you.

1. These days, editors rarely edit. Back in ’02, my first editor never even edited the first four Lawson novels. I’ve had exactly two editors ever edit me at all: one for a short story and one for a novel. Otherwise, “editing” doesn’t much happen at all.
2. Marketing falls to the author to accomplish. The last marketing person I worked with at a major house lined up exactly ONE signing and ONE interview. My huge blog blitz? All those other interviews, podcasts, etc.? All done by hustling my ass off.
3. Publishers pay lip service with regards to cover art & design. The author doesn’t get a say in what the final cover is, because the sales & marketing folks think they know best what will sell a book. Sometimes they’re right; but more often they’re wrong.
4. Bookstore presence: yes, you have print versions of your book available in major retailers. Oops, I mean RETAILER. Because right now, Barnes & Noble is the only real national major chain. One chain. Down from about four. Why is there only one major chain left? Because people don’t visit bookstores like they used to – they are switching to ebooks. And as far as indies go (and side note: I love indie bookstores – Jim at Park Street Books in Medfield, Massachusetts is awesome and everyone should go buy from him!) they only account for roughly 10% of sales in the publishing industry. So this argument is no longer as viable as it once might have been. An enterprising author can set up a book at Lightning Source for about $100 bucks, get into the major distributors like Ingram and Baker & Taylor (they service those bookstores) and have print editions of their books without giving up the enormous percentages that signing a traditional deal would hamstring them with.

I have complete control over my books now. I write them as I think they should be; I design them as I think they should be; and I sell them for a very reasonable price point instead of price-gouging consumers the way traditional publishers do (really New York? $16.99 for an ebook? Who are the wizards who came up with THAT one?)

As you read this, THE FIXER is being translated into Spanish in preparation for it going on sale in the HUGE Spanish language market. I’m at work on a TON of stuff I’ve wanted to bring out for years. And my middle grade/YA boys adventure series (y’know, the one that LANGUISHED for 18 months as editor after editor sent back notes like “boys don’t read,” “what if the protagonist was a girl?”) THE NINJA APPRENTICE gets sets to debut to the burgeoning demographic of younger readers. Apple has rolled out a new ebook authoring tool for free that will enable me to embed multimedia in my ebooks that are sold on iBooks. And each day, more and more people are discovering the convenience, ease, and enjoyment that ebooks offer.

All of which makes people in the traditional publishing industry – people like Michael Cader – very, VERY worried. Hence they make silly proclamations in the hopes of stemming the tsunami with a finger in the proverbial dike.

Here’s my prediction: in 12 months, I’ll still have a job in the publishing world – I’ll be doing what I love to do: creating exciting entertainment for people looking for an escape from their everyday lives. I’ll do this regardless of how my stories reach my audience. If ebooks suddenly implode (they won’t) and I have to carve my writing out on discarded pieces of tree bark, then that’s what I’ll do. Because long ago someone taught me that when one thing doesn’t work, you adapt and overcome. You evolve. You get smarter.

Insisting that things are the same when they most obviously are not isn’t adapting. It’s not meeting the challenge and figuring out how to make the best of it. It’s not evolution.

And it’s definitely not smart.

I wonder what Michael Cader will be saying 12 months from now…

 

Training & Learning

Several years ago, I found myself in a position of having to deal with some distinctly unpleasant “stuff.” Dealing properly with this stuff necessitated me being away from my teacher, Mark Davis of the Boston Martial Arts Center, for an extended amount of time. This was the first time I’d ever been away from training [...]

Several years ago, I found myself in a position of having to deal with some distinctly unpleasant “stuff.” Dealing properly with this stuff necessitated me being away from my teacher, Mark Davis of the Boston Martial Arts Center, for an extended amount of time. This was the first time I’d ever been away from training with my teacher for such a long time, and it was unusual for me, to say the least. There was nothing formalized about my absence; my teacher and friends didn’t even know what was going on – just that I was no longer at the dojo; and for all intents and purposes, I was pretty much gone from everything.

I was determined, however, that I would keep training. Even though I was away from my teacher, I resolved to continue my training at any opportunity. I consoled myself with this resolution, thinking that I would be able to return to the dojo and pick up where I left off. So as I dealt with the situations in my life that mandated my absence from routine and normalcy, I found opportunities to apply a lot of what I had learned. I also found opportunities to visit several other dojo associated with the art I study. I thought that was a good thing. And again, I told myself that even though I wasn’t with my teacher, I was still training. And that would help my skills continue to grow and improve. I had, by this time, already earned my 5th degree black belt and felt pretty confident that I could uncover new things to learn and practice.

So I kept training as much as was possible. I honed certain skills, I had my own techniques tested in a variety of ways, and I kept trying to continue the practices that I’d learned under my teacher’s guidance.

Eventually, as do all things pleasant and unpleasant – my time away ended and I returned to the dojo. I still remember vividly the first night back, climbing those steps and smelling the familiar tang of sweat in the air as I approached. I was home. At last.

And I was ready to pick up where I’d left off.

Instead, I got a serious wake-up call.

Foolishly, I’d expected that my time away wouldn’t decrease my skill. That despite being away from my teacher, my skills would at least remain at the level they’d been when I left. And that I’d be able to pick up anything new that had been taught during my absence.

But time didn’t stand still just because I wasn’t there. My teacher had kept on teaching; my friends had kept on learning and evolving as practitioners; and flow of the art itself had never ceased moving through the universe.

I’d been training, yes. I’d learned some rather unique lessons as well.

And yet, I’d been left behind. Far behind.

I was angry with the forces over which I’d had no control for depriving me of the time that I could have spent training with my teacher. I was upset that despite my attempts to retain my training schedule, to retain my level of ability, it hadn’t seemed to matter all that much. I’d been out of the flow; I’d been away from the learning. And I was upset with myself because my ego had once again sabotaged me. I’d conned myself into imagining that as a 5th degree black belt, I was astute enough and accomplished enough to be able to teach myself what I needed to know in order to continue to evolve as a practitioner.

I suddenly learned there’s a HUGE difference between “training” and “learning.”

It’s possible, after all, to go out and punch trees for a few hours and then congratulate yourself afterward for all the hard training you just did. But despite the training, you didn’t learn anything (except perhaps how utterly stupid it is to punch trees). You can, after all, go to different dojo and work out with other individuals and different body types and practice techniques. But that doesn’t mean you learned anything (except perhaps that your technique either works or doesn’t work as well as you thought.) And you can, after all, spend your time away creating excuses and allowing your ego to convince you that you’re still training.

But you’re not.

Throughout the course of the history of this particular martial art system, there have been instances where a practitioner was forced to be their own teacher. The 34th Grandmaster found himself alone when his teacher passed on. He had to spend years trying to find his way through the maze of notes and scrolls and letters that he’d amassed. Eventually, he did. And some would say he is perhaps an even better practitioner for having to pass such a trial.

Not everyone is like the Grandmaster, however. And I wonder if given the chance, would the Grandmaster have preferred to continue to learn under his teacher’s guidance instead of being forced to go it alone?

The path of this particular budo is strewn with traps at every turn. Some of those traps are obvious. But some are so carefully concealed within the very essence of ourselves that only those who have carefully and painstakingly cleaned out every last bit of untruth and mastered their ego will even see them.

For me, coming back from being away was a profound lesson. Despite the amount of training I was able to continue during my absence, despite the things I actually did learn during my time away, I hadn’t evolved as a practitioner. I returned to my home dojo to find that my skills were no longer at the level that I expected them to be because I hadn’t been continually exposed to new training and new challenges from my teacher. I had to acquire a lot of new knowledge in a short span of time to get back to the level of expectation I set for myself.

It’s easy to imagine that after a certain duration in studying this art that we no longer require the guidance of a teacher. There’s something inherently romantic about the notion of going it alone, or being some pioneer out on the edge of exploration. I know. I’ve been there.

But the reality is this: why do you want to go it alone if you don’t have to?

My absence from my teacher was mandated by things in my life I couldn’t control at the time. I had to take that time and be away from him not out of choice, but of necessity.

What’s keeping you from being with your teacher? What’s holding you back from “learning” instead of just “training?”

 

OATHBREAKER & DEADLY TRIO Now Available!

It’s Friday and it’s been a busy week. Outside, I’ve got several inches of snow (finally) and more on the way for tomorrow. In short, it’s a perfect weekend for reading – you know those days? When the weather’s blowing hard and you’ve got nothing to do but stay inside and curl up on the [...]

It’s Friday and it’s been a busy week. Outside, I’ve got several inches of snow (finally) and more on the way for tomorrow. In short, it’s a perfect weekend for reading – you know those days? When the weather’s blowing hard and you’ve got nothing to do but stay inside and curl up on the couch, maybe with that steaming mug of coffee, tea, or cocoa, listening to the crackle of the fireplace while your heart races along with the plot of great story.

I’ve already got my book picked out for reading tomorrow. And here are my contributions, if you’re looking to expand your Lawson library:

OATHBREAKER, a new short story is now out on its own. It’s also part of the SIX TIMES DEADLY collection, but this is the standalone version. It’s only 99 cents and meaty at 6,000 words. This time around, Lawson enters the hospital undercover to find out who is bleeding patients dry – but what he discovers is actually a whole lot worse than was previously thought.

Get OATHBREAKER for Kindle | Get OATHBREAKER for Nook

And then…

If, for some inexplicable reason (say, you were off-planet fighting alien invaders or possibly got kidnapped by clowns and forced to perform mime for the last six years) you haven’t yet gotten into the Lawson series, I’ve bundled three novels into one great ebook, DEADLY TRIO, which collects THE FIXER, THE INVOKER, and THE ENCHANTER into one volume for only $9.99 (which saves you about $3 bucks over buying them separately). LETHAL TRIO will be out within the next few days and collects THE DESTRUCTOR, THE SYNDICATE, and THE RIPPER into one volume for the same $9.99 price.

Get DEADLY TRIO for Kindle | Get DEADLY TRIO for Nook

So there you have it: two releases to go along with earlier this week’s A FOG OF FURY novella (HERE for the Kindle & available for the Nook in April). Grab ‘em all and you’ve got oodles of fun reading for the entire weekend – regardless of whatever weather you might be experiencing.

 

A Fog of Fury: A Lawson Vampire Mission – FREE!

So, as part of my drive to find a huge bunch of new fans for all things Lawson, I’ve decided to make A FOG OF FURY, the Lawson novellas that was released in the first annual Supernatrual Ink. anthology, part of the Amazon KDP Select program for 90 days. Today & tomorrow, it’s absolutely 100% [...]

So, as part of my drive to find a huge bunch of new fans for all things Lawson, I’ve decided to make A FOG OF FURY, the Lawson novellas that was released in the first annual Supernatrual Ink. anthology, part of the Amazon KDP Select program for 90 days. Today & tomorrow, it’s absolutely 100% FREE.

That’s right, you can get a nearly 20,000 words of Lawson awesome for without spending a penny.

Nada.

Zilch.

If you’ve never tried Lawson before, this is your chance to get wrapped up in one of the coolest urban fantasy series around. Let his effortless lethality thrill you while his sarcastic sense of humor brings you chuckles. Lawson rocks and here’s your chance to see why.

Of course, if you’re already a Lawson fan, then this is a nice gift to start the work week back up with. And it’s also your duty to get at least two of your close pals to pick this up as well and get them hooked on the series. What have they got to lose? Only about an hour after which time they will promptly fall on their knees and thank you for delivering unto them the same Lawson awesome you enjoy on a regular basis. They might even buy you lunch. Or at least a pack of Twizzlers from the office vending machine.

So go forth and rejoice – A FOG OF FURY is yours free. Spread the word and help others find the radiance of Lawson as he dispatches bad guys with bullets and snark.

Have fun!

Get A FOG OF FURY here right now for your Kindle for FREE!

:)

 

More New Lawson!

Yesterday saw the release of the next Lawson novel, THE RIPPER, which puts Lawson back in Boston trying to uncover the identity of a serial killer while dodging a Chinese assassin, dealing with Marty’s advances, counseling Niles, and dealing with Arthur’s past. It’s a chaotic mix of non-stop action and mayhem. And sales have been [...]

Yesterday saw the release of the next Lawson novel, THE RIPPER, which puts Lawson back in Boston trying to uncover the identity of a serial killer while dodging a Chinese assassin, dealing with Marty’s advances, counseling Niles, and dealing with Arthur’s past. It’s a chaotic mix of non-stop action and mayhem. And sales have been very good indeed!

You can grab your copy of THE RIPPER for the Kindle here and for the Nook here.

But THE RIPPER isn’t the only new adventure out…

Earlier today, I released SIX TIMES DEADLY, the first Lawson story collection featuring six short stories: The Price of a Good Drink, Interlude, Red Tide, Enemy Mine, Rudolf The Red Nosed Rogue, and Oathbreaker. Along with those six stories, I also included some cool bonuses: the script for the first part of the Lawson graphic novel and the first two chapters from the Talya spin-off novel series CODENAME: BELLADONNA. Yep, you heard right: there’s going to be a Talya spin-off novel series. It’s been in the works for a while now and with the advent of ebooks, I can actually write what I want without having to appeal to the whims of New York City publishing. I have three Talya novels sketched out and expect to complete the first one this year. I’m excited about it; Talya’s a great character and well-deserving of her own series. Hopefully, the fans will enjoy it.

You can grab SIX TIMES DEADLY for the Kindle here and >for the Nook here.

And finally, FROSTY THE HITMAN is now available for sale. This is the freebie short story I gave away on Christmas Day, but that window has now closed so if you want it, it’ll cost you 99 cents. You can grab that for the Kindle here and for the Nook here.

Next week, I’ll be releasing OATHBREAKER on its own, but if you want this new story now, you’ll have the get SIX TIMES DEADLY.

I’d like to thank all of you who have bought THE RIPPER. I’m very pleased with it’s rapid sales and success. And I’m especially thrilled to be finding so many new Lawson fans out there! Enjoy the new adventures – more are coming!

 

Frosty The Hitman Free Ebook for Kindle & Nook!

Merry Christmas everyone! As I like to do each year, my gift to my fans and friends – and especially NEW readers – is to write a free Lawson short story that you can all enjoy absolutely FREE. Frosty The Hitman is this year’s selection and I hope you all enjoy it. It’s the day [...]

Merry Christmas everyone! As I like to do each year, my gift to my fans and friends – and especially NEW readers – is to write a free Lawson short story that you can all enjoy absolutely FREE. Frosty The Hitman is this year’s selection and I hope you all enjoy it.

It’s the day before Christmas and Lawson’s spending it with his least favorite person in the world: Ava, a wealthy Council member who has always hated him. But Ava’s in trouble and Lawson is the only person standing between her and a deadly assassin named Frost.

To get the story, simply click on the download links below (depending on your e-reader) and you’ll have the story immediately! I hope you’ll share this with your friends and family – help spread the word about the fun that is the entire Lawson series!

And once again, Merry Christmas & Happy Holidays to all of you out there. Have a wonderful and safe celebration! And thanks for being such wonderfully awesome fans and friends.

Download for Kindle | Download for Nook | Download .pdf file

 

My Christmas List

Interestingly enough this year, a number of fans have written to ask what I’ve got on my Christmas list – that is, the things I’m hoping to receive. It’s a pretty short list, so I thought I’d share it with you. Pay attention to number 7. The fat guy with the reindeer fetish and red [...]

Interestingly enough this year, a number of fans have written to ask what I’ve got on my Christmas list – that is, the things I’m hoping to receive. It’s a pretty short list, so I thought I’d share it with you. Pay attention to number 7. The fat guy with the reindeer fetish and red suit always seems to forget that one.

Without further ado, I hereby present things I’d like to get for Christmas 2011…

  1. More reviews on Amazon and Barnes & Noble.com from fans of my writing. The more, the better!
  2. More interaction on my Facebook Fan Page. Got a question? Ask away!
  3. More fans telling their friends and family about my work. Expand my audience, people. Become a prophet!
  4. More interviews on blogs, podcasts, radio, and TV. Keeping my name and work in front of people is critical!
  5. More subscribers to my free newsletter. I love my subscribers!
  6. More ebook sales, more print book sales, more deals!
  7. Catherine Zeta-Jones, Tia Carrere, and Kelly Hu. Not necessarily in that order. And yes, all three.

Thanks Santa! :)

 

Amazon: Evil Demonic Corporation or Convenient Scapegoat?

A lot of people have a LOT to say about Amazon.com lately. Most of the pitchfork and torch burning attitude seems to be coming from brick-and-mortar booksellers, publishers, and authors who still put their loyalty behind traditional publishing models. Amazon has made waves in recent weeks by encouraging people to go to bookstores and price [...]

A lot of people have a LOT to say about Amazon.com lately. Most of the pitchfork and torch burning attitude seems to be coming from brick-and-mortar booksellers, publishers, and authors who still put their loyalty behind traditional publishing models. Amazon has made waves in recent weeks by encouraging people to go to bookstores and price check merchandise (thereby potentially leaving said store and ordering online at Amazon if they offer a better price) as well as its new Kindle Select program, which asks for a 90-day exclusivity for those authors that wish to opt-in.

Judging by the war cries on my Facebook news feed, as well as the infuriated tweets I’ve seen, one would be inclined to think that Amazon is some evil corporation hell-bent on gaining a monopoly.

Maybe.

Before I put my own perspective on display, I should mention that I love bookstores. And given my choice, I’ll shop at one rather than go online. In my town, we have an amazing indie store called Park Street Books and the owner, Jim, is one of the greatest dudes I’ve met in the bookselling business. Jim’s got over 500,000 books in-stock. New, used, toys, games, and more. My family drops a good amount of coin in his place. I’m a firm supporter of indie bookstores and always have been.

That said, I personally feel that the hostility toward Amazon is misplaced.

Sure, Amazon engages in business practices that I don’t always agree with. And certainly, its agenda might well be suspect.

But consider the real cause of the problem: traditional publishing. This is the elephant standing in the room that people would rather pretend isn’t there. From my perspective as an author who has published with a number of the largest houses, the problem isn’t Amazon at all – it’s outdated, woefully archaic business practices employed by traditional “Big 6″ publishers who desperately cling to obsolescence like it’s a life preserver.

Consider this: if traditional publishers offered a better e-royalty rate instead of the laughable 25% that is currently the norm, would we be seeing the mass defection for indie publishing that we currently see? Or would the numbers be far less as more authors strove to get a traditional deal rather than strike out on their own?

Further, if traditional publishers changed their accounting systems to more frequent reporting rather than twice a year, it would go a long way toward proving they were serious about adapting instead of clinging to the “old ways.” Or how about the notion that an editor is hardly that any longer? Editors pitch/beg for the projects they like and then watch as accountants and higher-ups make final decisions. Usually, it’s a pitched battle to get a project acquired and then – and only then – the advance is routinely about $5,000.

That’s five thousand bucks, people.

Think you can quit the day job on that? It’s laughable. In fact, despite the logic that dictates that without writers, your business has no product, publishers have routinely and methodically tried to carve more and more away from their very reason for existence.

Is it any wonder why there are so many authors opting for the indie route?

But instead of viewing these problems logically, the biggest rally cries for Jeff Bezos’ head on a pike come from the publishers and booksellers who refuse to admit the real problem is with traditional publishing. Last week, the Hachette Book Group – arguably one of the largest – had an internal memo leaked that argued the company’s own relevancy in the 21st century world, but came across more like some whiny loser in a corner begging for someone to play with them. Corporatese lines like “we nurture authors” and related crap plagued the memo from start to finish and only underscored the point that publishers have failed to change the way they do business.

And instead of admitting their mistakes, making corrections, and moving on as a viable 21st century corporation, they’ve done the easier thing: blame Amazon.

As I said earlier, I don’t agree with everything Amazon does. But neither do I fault it for doing what it does.

Think about it: if you owned a corporation like Amazon and saw the massive mistakes your competition was making, wouldn’t you in all likelihood take some or all of the same steps Amazon has taken? You want a larger market share, you want less competition, you want to be able to offer your customers more exclusive products. Of course you do: you’re a publicly traded company and you owe it to your shareholders to grow your business as profitably as you can.

And if you think back and chart the various moves Amazon has made, the company has, in fact, given its competitors (be they stores or publishers) time to adapt. But traditional publishers have proven the most stubborn of the bunch. And so Amazon has simply said, “well, if you’re too stupid to change, screw you guys, we’ll just cut your legs out from under you.”

It would be easy to rally around the whole “Amazon sucks” cry. But in doing so, people inevitably miss the point that if traditional publishing could have managed to actually fix itself and its archaic business models, then Amazon wouldn’t be attracting indie authors and old veteran authors like sharks on a chum line. Instead of rectifying their mistakes, traditional publishers have price-gouged consumers on ebooks through stupid pricing models (and claims that ebook costs are still high, when, in fact, they are not); they’ve resisted the march toward digital by failing to adopt a standard ebook file format or a standard e-reader; they’ve refused to adjust their royalty structure to accommodate a better share for the very people who keep them supplied with product in the first place; and many more mistakes besides these.

If I’m fighting someone and they make the mistake of dropping their guard, you can bet your ass I’m going to jab them in the face and then follow up hard until they’re down and gone. If I see an opening, I’ll exploit it for everything I can.

It’s easy to imagine a world where companies act ethically, but that’s not the reality we live in. Amazon has simply take advantage of the ego-burdened idiocy rampant in traditional publishing and exploited it. We might not like how it does business, but at the end of the day, hostility toward Amazon might be better directed at where the real problems are, rather than at the opportunistic company that has capitalized on those problems.

 

Day of the Ninja

I have to admit, this one caught me by surprise… (Go ahead, laugh at the irony. I’ll wait, lol…) Today, December 5th, is International Day of the Ninja. Seriously. I’m not quite sure what exactly is supposed to happen today, but perhaps it’s as simple as creeping up behind your co-workers and scaring the snickers [...]

I have to admit, this one caught me by surprise…

(Go ahead, laugh at the irony. I’ll wait, lol…)

Today, December 5th, is International Day of the Ninja. Seriously. I’m not quite sure what exactly is supposed to happen today, but perhaps it’s as simple as creeping up behind your co-workers and scaring the snickers out of them. Or maybe you’re supposed to create your own global intelligence network. Not really sure.

In any event, I’ll take today and give a huge load of thanks to my teacher Mark Davis at the Boston Martial Arts Center for passing down his knowledge, experience, and wisdom to me and the other students at his school. I’ve learned so much from Mark, it’s impossible to say thank you enough times. The techniques, strategy, and lessons he’s taught me have literally saved my life numerous times. And I don’t say such things lightly. It’s because of his earnest dedication to the art of Ninjutsu and his humble attitude that enables him to continually have such a successful school.

Back in Japan in 2003, I took my 5th degree black belt test. If not for Mark and his teaching, I’d never have passed it successfully. And the success I’ve enjoyed in learning Ninjutsu has enabled me to enjoy success in all other areas of my life.

So, being that today is International Day of the Ninja, I’d like to humbly suggest that people in the New England area give Mark a call at (617) 789-5524 and schedule a time to come check out a great, fun class at his school. The dojo is filled with some of the friendliest, most successful people I’ve ever known, and you can’t help but have an absolute blast training.

Also, you should buy some of my ebooks because I mix in some pretty cool advanced Ninjutsu concepts in my worlds of fiction. How many authors do you know who have actually studied authentic ninjutsu for over twenty years? Support the Ninja Author! :)

And you should also go over and back my new project ZOMBIE RYU which mixes NINJA and ZOMBIES! Check it out!

 
Page 1 of 101234510...Last »

Jon’s Online Social Network

social social social social social